When their family patriarch is stabbed, seven women, each with ulterior motives, become trapped together in a mansion to solve the puzzle of his murder. This is the Italian remake of François Ozon’s 8 Women.

It’s 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied – tragic, bizarre, funny or erotic – but common and central to all of them is the female presence.

Landfill is a documentary that emerged from the perception of a paradox in relation to litter. While most people want to get rid of it, I met some ladies, pioneers of recycling, that they miss the trash from others in side of the house. From the time where I met up making the film, many things happened, both in the media, with all the newly fallacious discourse of sustainability, and in my personal relationship with the trash, when I became the ‘householder. ‘ This is a film of these seven women, who are truly experts.

Tell It Like A Woman comprises of seven segments that are directed by female directors from different parts of the world and shot in Italy, India, Japan, and the U.S. Each segment is an inspirational and empowering story about women, by women, for everyone.

Twenty-seven-year-old Deandrea Smith, wife of prominent business owner Walter Smith, deals with his treacherous actions causing her to become destitute and enraged with revenge. Deandrea confides in her best friend, Nola, an exotic dancer, and they recruit two more women, Crystal, a religious single mother, and Daisy, a street thug, to help them execute a plan to steal $50,000 from Walter. After the successful theft from Walter, the group decides to try their fortune at bigger spoils and come up with a plan to rob Nola’s place of employment, the strip club, dubbing themselves, The Bag Girls. Gaining notoriety, The Bag Girls are hired to do a job that’s way over their head when they’re put up against the Cuban mafia.

What begins as a million-dollar reality show competition between seven beautiful women turns into a battle for life itself when one contestant uses magic to gain an edge over the competition. An ancient curse dating back to the Salem Witch Trials is unleashed and the competition becomes a pageant of death, destruction, and evil forces. Forget about who will win – who will survive?

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City’s African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion “houses,” from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza — PARIS IS BURNING brings it, celebrating the joy of movement, the force of eloquence, and the draw of community.

Seven friends – three women and four men – meet for dinner. Everyone should put their cell phone on the table. No matter what message comes in – anyone can read it and listen to the phone calls. However, this leads to a lot of chaos.

Using the discarded, deteriorating remnants from seven silent film titles, filmmaker Bill Morrison braids a story of intertwining love triangles that pivots between the accounts of two women.

Shelley is living a carefree life until a rival gets her tossed out of the Playboy Mansion. With nowhere to go, fate delivers her to the sorority girls from Zeta Alpha Zeta. Unless they can sign a new pledge class, the seven socially clueless women will lose their house to the scheming girls of Phi Iota Mu. In order to accomplish their goal, they need Shelley to teach them the ways of makeup and men; at the same time, Shelley needs some of what the Zetas have – a sense of individuality. The combination leads all the girls to learn how to stop pretending and start being themselves.

In Venice, the millionaire benefactor Cecil Fox watches a Seventeenth Century play ‘Volpone’ and plots a practical joke to play on his three former greedy mistresses. He hires the unemployed actor William McFly to act as his butler and stage manager and sends letters telling the mistresses he is terminally ill. The prime intention of Rex is to see the reaction of the women after the reading of his will but things do not go as planned.

Anna’s story takes place on Åland Island in 1666, during the beginning of the most widespread and systematic witch-hunts in Scandinavian history. In all, 16 women were convicted of being in league with the devil, and seven of them were executed. For Judge Psilander, who has mastered the newest witch theories of the time, the trials are meant to cleanse the island of superstition, to have science and common sense prevail. The main character, the intelligent and stubborn Anna, gets an intimate view of the events, having just started working as a maid in the judge’s house. To Anna’s misfortune, she falls intensely in love with her friend Rakel’s husband Elias, but his infatuation with her quickly fades. A hurt and jealous Anna decides to get revenge and falsely reports Rakel to Judge Psilander. It’s only when Rakel is arrested, and things get out of hand, that Anna realizes the gravity of her doings.

Seven men have a group session and share their feelings on women, love, life and work.

10 women, seven of them belonging to the poorest population, are desperately trying to win a beauty contest for mothers who have more than 3 children. The winner will get an apartment and $25000

Advanced Style examines the lives of seven unique New Yorkers whose eclectic personal style and vital spirit have guided their approach to aging. Based on Ari Seth Cohen’s famed blog of the same name, this film paints intimate and colorful portraits of independent, stylish women aged 62 to 95 who are challenging conventional ideas about beauty, aging, and Western’s culture’s increasing obsession with youth.

Pierre is seventeen and in the middle of puberty. He plays in a band, has sex at parties and secretly tries on women’s clothing and lipstick in front of a mirror. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when he discovers that she stole him from a hospital when he was a new born baby, Pierre’s life changes dramatically. In her new film, director Anna Muylaert explores the mother-child relationship through the eyes of a rebellious son whose whole world unravels overnight.

The year is 1986. Gorgeous Ladies of Wrestling (GLOW) is about to burst onto the scene as the first ever all-female wrestling show on television. By 1989, the GLOW girls were an international phenomenon, attracting over seven million viewers worldwide, touring the nation and making big bank for the show’s producers. One year later, GLOW was gone. GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING chronicles the rise and fall of this hit television show through the stories of those who lived it. For some, the show was a brief foray into acting and a short-lived adventure. For others, their time in GLOW would impact and influence their lives for years to follow. For all of the women, working on GLOW was a unique and exciting experience that will bond them forever.

A solitary middle-aged bachelor and a naive Irish teenager transform one another’s lives to arrive at a place of recognition, redemption and wisdom in Atom Egoyan’s adaptation of William Trevor’s celebrated 1994 novel. Seventeen and pregnant, Felicia travels to England in search of her lover and is found instead by Joseph Ambrose Hilditch, a helpful catering manager whose kindness masks a serial killer. Hilditch has murdered several young women, but he has no conscious awareness of the crimes; like Felicia, he doesn’t see his true self. Felicia’s Journey is a story of innocence lost and regained: Felicia awakens to the world’s dangers and duplicities; and Hilditch, who grew up lonely and unloved, comes to realize what was taken from him, and what he himself has taken.

Three pregnant women are kidnapped from abortion clinics and held for seven months until they all give birth. Seven years later, those who held the women have been arrested, admitting to their deeds. They have been brought to trial, and now the jury deliberates their fate. The kidnappers had video-taped the entire seven months that the women were held. In essence, duri